© Keith Saunders 2010

Aldo Di Toro


Management: Australasia

Cavalleria rusticana und Pagliacci, Oper Graz
“The demanding dual role of Turiddu and Canio not only mastered by Aldo Di Toro, he made them vocally his own and shone in both operas. His voice is warm and darkly timbre and has a metallic core that allows him effortless dramatic bursts of radiance. He also did not save on the sobbing pathos, as when Turiddu says goodbye to his mum or Canio pities himself.”
Bachtrack , 1 October 2018

The Pearlfishers, Opera Queensland
“…Aldo Di Toro was also impressively accomplished as Nadir.  His cantelina  was graceful, in particular his sweet head-voice in ‘je crois entendre encore’ where the transitions between registers were flawless”.
John Carmody, Opera Magazine, October 2017

L'elisir d'amore - West Australian Opera
"...A dreamy-eyed and big-hearted Di Toro delivered a spacious, simple and achingly sweet 'Una furtiva lagrima".  It was the icing on the cake of a career-highlight performance, delivered with a mix of stumbling shyness and boying exuberance."
Rosalind Appleby, Opera Magazine, November 2016

La Traviata – Opera Queensland
“As Alfredo, Aldo Di Toro was first-rate. His singing was rock-solid throughout his vocal range, a pure Italianate tenor sound that is too rarely heard on our stages. His Alfredo had a youthful exuberance and vulnerability, his passion for Violetta palpable.”
Suzannah Conway | The Australian | 7 May 2015

Lucia di Lammermoor – Opera Holland Park
“...Edgardo was an Australian tenor Aldo Di Toro, now based in Italy. Resonant and robust of voice, with a strong stage presence, he met the challenge of his two big scenes in Act 3 with honour.”
Rupert Christiansen | The Telegraph | 8 June 2012

“… He projects Donizetti’s big tunes with lyrical bravura, generosity and assurance. The Act Three scene where he squares up to Enrico made a great impact...”
Peter Reed | ClassicalSource.com | 7 June 2012 

Belisario – Chelsea Opera Group, Queen Elizabeth Hall, London
“Aldo Di Toro blazed and thrilled as Alamiro,”
Tim Ashley | Guardian.co.uk | Monday 21 February 2011

La bohème – Opera Holland Park
“...Aldo Di Toro’s superb Rodolfo stole the show with some glorious singing...”
Francis Muzzu | Opera Now | Nov/Dec 2009      

Roméo et Juliette - Innsbruck
 “Aldo Di Toro's Roméo is vocally outstanding:  his tenor voice has the lyrical, dreamy quality and youthful brilliance that this role ideally requires and seldom receives.”
Ursula Strohal | Tiroler Tageszeitung | June 2008

Rigoletto – State Opera of South Australia
“The enthusiastic audience witnessed the coming of age of tenor Aldo Di Toro, who sang a thrilling Duke of Mantua.
His La donna è mobile positively rang, with crystal clear high notes.”
Vincent Ciccarello | Independent Weekly | November 2008

Fedora -  Opera Holland Park              
 “   ...the astonishing Aldo Di Toro ... pulled out top notes magically, like silk notes from a conjuror’s sleeve.”
Fiona Maddocks | The Evening Standard | June 2006 

“(Fedora) is strongly cast ...with a  muscular, personable and entirely Italianate tenor in Aldo Di Toro.. Di Toro is indefatigable.”
Hilary Finch | The Times June | 2006

Aldo Di Toro graduated from the Western Australian Conservatorium of Music and made his debut in opera as Oronte in Alcina for West Australian Opera at the Festival of Perth. Aldo won two awards from Opera Foundation Australia: Italian Opera Award which enabled him to study at Teatro Comunale di Bologna and the  AIMS Award for further study in Graz, Austria. 

Now living in Italy and performing internationally, recent roles in Europe include Masel in Janacek’s The Adventures of Mr Boucek in Trier; and his role debut as Pinkerton (Madama Butterfly), Magdeburg Opera, A Night at the Opera with Harmoniemusik Balzers in Lichtenstein, and opera excerpts with Rotterdams Philharrmonische conducted by Koen Schoots.

In 2018 Aldo has three role debuts: Henri (Les Vêpres siciliennes) in the Mainfraken Theater, Würzburg, Germany; Mario Cavaradossi (Tosca) Magdeburg Opera, Germany; and Turiddu/Cavalleria Rusticana, Oper Graz, Austria, where he will also perform Canio/I Pagliacci.

Other notable European engagements include Ernesto in Don Pasquale for Scottish Opera in Glasgow and Edinburgh, his role debut singing Riccardo (Un Ballo in Maschera) for Staatstheater Braunschweig, Steva (Jenufa), Loris (Fedora), Nemorino (L’Elisir d’Amore), Edgardo (Lucia di Lammermoor)  and Rodolfo (La Bohéme) at Opera Holland Park; Alfredo, The Duke of Mantua (Rigoletto) and Canio (I Pagliacci) on tour in Italy; and Roméo (Roméo and Juliette), The Duke and Pollione (Norma) in Innsbruck.

Aldo has sung with all the major opera companies in Australia, most recently in 2016 as Nemorino, and in 2017 as Edgardo, both for West Australian Opera, and also in 2017 he made his role debut as Nadir (The Pearlfishers) for Opera Queensland.

He made his Opera Australia debut in 2007 singing Alfredo (La Traviata), a role he has subsequently repeated for the company, and the title role in Werther, Gerald (Lakmé), Tebaldo (Capuleti e i Montecchi), Edgardo, Elvino (La Sonnambula) , Nemorino, and Rodolfo. The recording of Opera Australia’s Lakmé was also released on DVD and in cinemas. For Opera Queensland he has sung Cassio (Otello) and Alfredo; for West Australian Opera: Tamino (The Magic Flute) and Elvino; and for State Opera of South Australia: Alfredo, Nemorino, Elvino and the Duke of Mantua. Other opera roles in Australia include Mario Lanza in the musical mystery Who Killed Mario Lanza at Riverside Theatres Parramatta, and Bill in Glyndebourne Festival Opera’s production of Jonathan Dove’s Flight for Adelaide Festival.

Concert engagements include Alamiro; Beethoven's Ninth Symphony for West Australian Symphony Orchestra, Dvorak's Stabat Mater for the Perth International Arts Festival, concerts for West Australian Opera and Queensland Music Festival, Opera in the Vineyards on the Mornington Peninsula and in the Hunter Valley, Schumann’s Dichterliebe for University of Western Australia, gala concerts for Brisbane Festival and Opera Under The Stars in Broome.  In Europe: Alamiro in Donizetti's Belisario in concert with Richard Bonynge conducting at the Queen Elizabeth Hall in London Beethoven’s Ninth Symphony on tour in Germany with the Philharmonia of the Nations, a recital at St. John's Hall in London, Roberto in Puccini's Le Villi in concert at Queen Elizabeth Hall for Chelsea Opera The Duke of Mantua (Rigoletto) in concert in Venice Dolo, Italy an orchestral concert in Vienne France, Rossini's Stabat Mater in Milan, Rossini's Petite Messa Solenne at the Duomo di Torino, Puccini's Gloria Mass and Perosi's Stabat Mater with the Stefano Tempia Choir, released on the Nuova Era label as wellas concerts in Japan, Turkey, South Africa and India.

Aldo has also recorded The English Songs by Francesco Paolo Tosti for the National Tosti Institute and Bongiovanni Records, Il Ritratto by Braga for Bongiovanni Records as well as Il Ritratto, I Pagliacci, Rigoletto and La Traviata on DVD for the Tercas Foundation. 

Aldo Di Toro is managed by Nina Kang:  nina@artsmanagement.com.au
December 2018
 This biography is for general information purposes only and not for publication.
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